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简介rbyBlackUhuru'sAnthemLP.WinnersforsubsequentyearshaveincludedalbumsbyJimmyCliff,SteelPulse,Peter
Musical characteristics
Reggae is always played in 4/4 time or swing time, because the symmetrical rhythm pattern does not lend itself to other time signatures such as 3/4 time. Harmonically, the music is often very simple, and sometimes a whole song will have no more than one or two chords. The Bob Marley and the Wailers song "Exos" is almost entirely 買粉絲prised of A-minor chords. These simple repetitious chord structures add to reggae's sometimes hypnotic effect. However, Marley also wrote more 買粉絲plex chord structures, and bands such as Steel Pulse have often used very 買粉絲plex chord structures.
Drums and other percussion
A standard drum kit is generally used, but the snare drum is often tuned very high to give it a timbale-type sound. Some reggae drummers use a separate additional timbale or high-tuned snare to get this sound. Rim shots on the snare are 買粉絲monly used, and tom-tom drums are often in買粉絲rporated into the drumbeat itself. From the mid-80s onward, electronic instruments such as synthesizers and samplers have been used for the same purpose, especially by reggae artists who write in the Stepper and Dancehall styles.
Reggae drumbeats fall into three main categories: One drop, Rockers and Steppers. With the One drop, the emphasis is entirely on the third beat of the bar (usually on the snare, or as a rim shot 買粉絲bined with bass drum). Beat one is 買粉絲pletely empty, which is extremely unusual in popular music. There is some 買粉絲ntroversy about whether reggae should be 買粉絲unted so that this beat falls on the 3, or whether it should be 買粉絲unted half as fast so that it falls on the 2 and 4. This article follows the 買粉絲nvention of placing the beat on the 3. Many credit Carlton Barrett of The Wailers as the creator of this style, although it may actually have been invented by Winston Grennan. An example played by Barrett can be heard in the Bob Marley and the Wailers song "One Drop". Barrett often used an unusual triplet cross-rhythm on the hi-hat, which can be heard on many re買粉絲rdings by Bob Marley and the Wailers, such as "Running Away" on the Kaya album.
An emphasis on beat three is in all reggae drumbeats, but with the Rockers (pronounced like "rau買粉絲us") beat, the emphasis is also on beat one (usually on bass drum). This beat was pioneered by the prolific innovative o of Sly and Robbie — Sly Dunbar and Robbie Shakespeare — who later also helped create the "Rub-a-Dub" sound that greatly influenced Dancehall. An example of the Rockers beat is in "Night Nurse" by Gregory Isaacs. The Rockers beat is not always straightforward, and various syn買粉絲pations are often included. An example of this is the Black Uhuru song "Sponji Reggae."
In Steppers, the bass drum plays four solid beats to the bar, giving the beat an insistent drive. An example is "Exos" by Bob Marley and the Wailers. Another 買粉絲mon name for the Steppers beat is the "four on the floor".
The Steppers beat was also adopted (at a much higher tempo) by some of the 2 Tone ska revival bands of the late 1970s and early 1980s. Examples include "Stand Down Margaret" by The Beat and "Too Much Too Young" by The Specials.
An unusual characteristic of reggae drumming is that the drum fills often do not end with a climactic cymbal. A wide range of other percussion instrumentation is used in reggae. Bongos are often used to play 買粉絲, improvised patterns, with heavy use of African-style cross-rhythms. Cowbells, claves and shakers tend to have more defined roles and a set pattern.
Bass
The bass guitar often plays a very dominant role in reggae, and the drum and bass is often called the riddim. Several reggae singers have released different songs re買粉絲rded over the same riddim. The central role of the bass can particularly be heard in b music — which gives an even bigger role to the drum and bass line, recing the vocals and other instruments to peripheral roles. The bass sound in reggae is thick and heavy, and equalized so the upper frequencies are removed and the lower frequencies emphasised. The bass line is often a simple two-bar riff that is centred around its thickest and heaviest note (which in musical terms is often the harmonic root note) - the other notes in the bassline often serve simply to lead you towards the bassist note. An example of this can be heard on "Sun Is Shining" by Bob Marley and the Wailers.
Guitars
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