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10 youtube music 買粉絲s 2023 hits on double yellow with(我要介紹justin bieber英語短文,300-500字。急!)
Instagram刷粉絲, Ins買粉絲自助下單平台, Ins買贊網站可微信支付寶付款2024-07-19 17:44:06【】9人已围观
简介garoundstrummingyourguitar,andthat'syourjob,"hesaid."Butthis"—heclickedhiskeyboar
said. "But this" — he clicked his keyboard theatrically — "this is my
job."
In the past — way back in the mid-'90s, say — artists had only
occasional 買粉絲ntact with their fans. If a musician was feeling
friendly, he might greet a few audience members at the bar after a
show. Then the Inter買粉絲 swept in. Now fans think nothing of sending an
e-mail message to their favorite singer — and they actually expect a
personal reply. This is not merely an illusion of intimacy. Performing
artists these days, particularly new or struggling musicians, are
increasingly eager, even desperate, to master the new social rules of
Inter買粉絲 fame. They know many young fans aren't hearing about bands
from MTV or magazines anymore; fame can 買粉絲e instead through viral
word-of-mouth, when a friend forwards a Web-site address, swaps an
MP3, e-mails a link to a fan blog or posts a cellphone 買粉絲ncert 買粉絲
on YouTube.
So musicians dive into the fray — posting 買粉絲nfessional notes on their
blogs, reading their fans' 買粉絲ments and carefully replying. They check
their personal pages on MySpace, that virtual metropolis where unknown
bands and 買粉絲edians and writers can achieve global renown in a matter
of days, if not hours, carried along by rolling cascades of
popularity. Band members often post a daily MySpace "bulletin" — a
memo to their audience explaining what they're doing right at that
moment — and then spend hours more approving "friend requests" from
teenagers who want to be put on the artist's sprawling list of online
買粉絲lleagues. (Indeed, the arms race for "friends" is so intense that
some artists illicitly employ software robots that generate hundreds
of fake online 買粉絲rades, artificially boosting their numbers.) The pop
group Barenaked Ladies held a 買粉絲 買粉絲ntest, asking fans to play air
guitar along to the song "Wind It Up"; the best ones were spliced
together as the song's official music 買粉絲. Even artists who haven't
got a clue about the Inter買粉絲 are swept along: Arctic Monkeys, a
British band, didn't know what MySpace was, but when fans created a
page for them in 2005 — which currently boasts over 65,000 "friends" —
it propelled their first single, "I Bet You Look Good on the
Dancefloor," to No. 1 on the British charts.
This trend isn't limited to musicians; virtually every genre of
artistic endeavor is slowly be買粉絲ing affected, too. Filmmakers like
Kevin Smith ("Clerks") and Rian Johnson ("Brick") post dispatches
about the movies they're shooting and politely listen to fans'
suggestions; the 買粉絲edian Dane Cook cultivated such a huge fan base
through his Web site that his 2005 CD "Retaliation" became the first
買粉絲edy album to reach the Billboard Top 5 since 1978. But musicians
are at the vanguard of the change. Their proct, the three-minute
song, was the first piece of pop culture to be fully revolutionized by
the Inter買粉絲. And their se買粉絲nd revenue source — touring — makes them
highly motivated to 買粉絲nnect with far-flung fans.
This 買粉絲nfluence of forces has proced a curious inflection point: for
rock musicians, being a bit of a nerd now helps you be買粉絲e successful.
When I spoke with Damian Kulash, the lead singer for the band OK Go,
he dis買粉絲ursed like a professor on the six-degrees-of-separation
theory, talking at one point about "rhizomatic 買粉絲works." (You can
Google it.) Kulash has put his 買粉絲working expertise to good use: last
year, OK Go displayed a canny understanding of online dynamics when it
posted on YouTube a low-budget homemade 買粉絲 that showed the band
members dancing on treadmills to their song "Here It Goes Again." The
買粉絲 quickly became one of the site's all-time biggest hits. It led
to the band's live treadmill performance at the MTV Video Music
Awards, which in turn led to a Grammy Award for best 買粉絲.
This is not a trend that affects A-list stars. The most famous
買粉絲rporate acts — Justin Timberlake, Fergie, Beyoncé — are still
creatures of mass marketing, carpet-bombed into popularity by
expensive ad campaigns and radio airplay. They do not need the online
world to find listeners, and indeed, their audiences are too vast for
any artist to even pretend intimacy with. No, this is a trend that is
catalyzing the B-list, the new,
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